Copyright’s Media Theory and the Internet
Internet Law, Intellectual Property Law, Copyright’s Media Theory, the Internet
Despite copyright’s expansion into new online spheres and technological contexts, and the increasingly interdisciplinary nature of copyright scholarship, intellectual property scholars, particularly those interested in digital copyright, have offered little exploration of methodology and methodological issues, and scholarship offers even fewer methodological investigations and debates. This area of Internet related legal research remains, like others, without established “texts, theories, and methodologies.” This chapter aims to address some of that void, by offering an exploration of the problems that can arise when applying certain legal doctrines to online contexts, through a case study of the “chilling effects doctrine” — a legal doctrine that holds that certain laws and regulatory schemes can “chill” or deter people from engaging in certain kinds of legal (and possibly desirable) activities — as its emergence or “transplantation” into debates about copyright enforcement online. The case study provides a helpful point of entry into a broader methodological discussion about applying legal norms to media. Specifically, the author draws on insights from other disciplines and research fields to unpack and scrutinize the chilling effects doctrine and it methodological, empirical, and normative assumptions.
Jonathon W. Penney, “Copyright’s Media Theory and the Internet” in B. Courtney Daogoo et al, eds, Intellectual Property Law for the 21st Century: Interdisciplinary Approaches (2014), online (pdf): perma.cc/3UB7-WXQU.